(pages 15–16)

Take three, three cards.
You have to choose wisely
A lot of people around you
Good card, very good
I start here

Is it about navigation?



Last night someone walked over to my desk and I showed her the 530-page blank dummy and we were talking about the differences between a bound book and a loose deck of cards, like tarot. And I explained that the pages of this book will be minimal in appearance and open to interpretation, and that the sections are ordered by chance, and that I leave it to the reader to experience the book as he/she desires (front-to-back, back-to-front, flipping through, random encounters). “The one who holds it is the one responsible (sá veldur sem á heldur).”

And she said “oh, you mean bibliomancy?”

The use of books in divination. “Divination can be seen as a systematic method with which to organize what appear to be disjointed, random facets of existence such that they provide insight into a problem at hand.” The I Ching, famously.

I’m not sure I could better describe my practice here in Skagaströnd. A systematic method with which to organize what appear to be disjointed, random facts of existence. The problem at hand is unstated; the problem at hand is what the reader brings to the work. A specific question or a feeling or none at all.

It could be a question of identity.

How can we read the daily route of a fishing trawler at sea. The boat follows the whale. The whale follows the fish, who respond to the currents, the temperature, the light and salinity. The route marks itself, an automatic trace, the Orvar’s (arrow) pattern as it searches for the creatures. A drawn dance, a choreography of the town’s survival.

Sea data.

The ship draws its pattern each day and forms its historical archive of itineraries, but only fourteen days of data are saved. As the ship moves through sea time, the archive regenerates itself and disappears.

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