Immaterial Landscapes explores a kind of representation that is not purely there, or not-there. Referencing the real, these are thin slices of a digital, uploadable world — seductive veneers pulled from the depths of a database. Disguised as photography, the landscape images embrace the filmic vernacular (blur, grain, black- and-white), but are generated entirely within Google Earth. They’re slippery. They beckon. Geospatial data reveals an idea of place. Digested, they’re served up as the poetic.
No camera, no lens, no location — just a few dreamy views into an impossible world.
