Printed Matter hosted a NYC launch event for Printed Web #1 last night. Artists Clement Valla, Am Schmidt, Sean Benjamin, Chris Alexander, Penelope Umbrico and Benjamin Shaykin joined me to talk about some of the themes brought up by the project: identity, memory, artist-as-archivist, the collective and web-to-print practice. The discussion and the audience questions were stimulating and I really wish I’d recorded it.
It was a joy for me to see so many familiar faces (as well as new friends) turn up in support and to participate in the conversation. Thank you to everyone who attended.
I was invited to give a few talks in Los Angeles earlier this week (at UCLA and Art Center), while I was there for Printed Matter’s L.A. Art Book Fair. Library of the Printed Web was the attractor, I think, especially at the Graduate Media Design Practice program at Pasadena. But I took the opportunity to present a more general overview of my work, including the larger trajectory from designer (and all of the brand/creative/director/strategist roles that go with it) to artist, teacher, curator and publisher.
While artist and teacher are fairly new roles for me, I feel like I’ve been wrestling with them for some time now, even if abstractly. But it’s the last two concepts—curator and publisher—that are entirely new. Creating Library of the Printed Web exactly one year ago (for the excellent Theorizing the Web conference) introduced me—somewhat unknowingly—to curatorial and publishing situations that I never imagined.
Publishing Printed Web #1 is an experiment. It’s provisional and experimental because I didn’t approach the project like a traditional publisher, or with any real business model (I didn’t “start a publishing company” or small press or anything like that). I formed the project as a way to present new work from artists who interest me (artists who enact a web-to-print practice in some way). I consider the publication to be, primarily, an exhibition in print. Printed Web #1 is “primary information” in the Seth Siegelaub sense (at least, he was the primary inspiration). The issue is not a catalogue—it is not “about” the work—it is the presentation of the art. “You don’t need a gallery to show ideas” (Siegelaub).
The reception at the fair was great. People get it. Visitors to the table were curious, and when I told them that each artist got six pages to do whatever they want, from web-to-print, they wanted to see all of the projects. Most people stood there and flipped through all 64 pages.
I was asked a few times about newsprint. Why use a light, ephemeral kind of printing when presenting ephemeral (web) work in a new context? It’s a good question and it could be argued that the desire for slowness, thingness and permanence would be better served by a more high-end presentation of the project. But I wanted to keep the publication accessible ($12) and stay far away from the “rare,” out-of-print photobook frenzy. For now, newsprint works.
I sold 135 issues of Printed Web #1 at the fair and 50 more are going to Motto in Berlin. And I’ve sold about 50 more in the online shop. If you’d like one and you’re in the NYC area, you can avoid the shipping charge by coming to Printed Matter on March 1 for a launch event. More details about that soon.
Printed Web is an experimental publishing project because my goal (for now, at least) is to be a part of the conversation. To spread the thing around in an interesting way and talk and chew on the issues embedded in this kind of work (circulationism, acceleration, materiality, copyright, a new web-to-print artist’s practice).
The New Yorker’s Photo Booth blog says my Las Meninas project is one of their twelve reasons to visit the NY Art Book Fair at MoMA PS1 this weekend. Happy and honored to be mentioned in good company with Elisabeth Tonnard, Erik van der Wejde, Gordon Matta-Clark, Robert Mapplethorpe and others.
Come find me at table #Q47! Or purchase Las Meninas right here. Half of the edition has already sold.
Friday, September 20, 12–7pm
Saturday, September 21, 11–9pm
Sunday, September 22, 11–7pm (I will only be there from 11–2pm on Sunday)
- For the fair I’ve produced a special 4-page newsprint edition of “Search, compile, publish,” including a full inventory of Library of the Printed Web. I’ll be giving away 500 copies (free).
- A selection of items from Library of the Printed Web will be on display, including Fraser Clark’s Mona Lisa and my submission to Kenneth Goldsmith’s Printing the Internet project at Labor Gallery, Mexico City.
- 530 ($80), Las Meninas ($25) and Stripped ($45) will be available for purchase.
- At 12:49pm on Sept 20, 21 and 22 I will participate in David Horvitz’s Let Us Keep Our Own Noon, ringing one of 47 bells made from a melted 1742 French church bell.
I developed this collection of photographs earlier this year and struggled with the publication format. The images are interior views from Google Street View and depict the photographer and/or the camera’s reflection in mirror or glass. I ordered print-on-demand books from Blurb in several formats, trying different sizes and papers, but nothing felt right.
Finally, I’m self-publishing the 17 images as Las Meninas, a 32-page newsprint tabloid publication, nesting pages (edition of 50). Printed by Newspaper Club. I’m satisfied with the results. The format seems to fit the material perfectly.
Las Meninas will be available for purchase at Printed Matter’s 2013 NY Art Book Fair at MoMA PS1 (19–22 September). Look for me at the ABC/Library of the Printed Web table.
Digital newsprint (print-on-demand)
Edition of 50
Tabloid (289 mm x 380 mm)
View the entire publication on Flickr.
- I’ll launch “Apparition of a distance, however near it may be” at Printed Matter’s first annual LA Art Book Fair at the Geffen Contemporary at MoCA, Los Angeles. Look for me at the ABC Artists’ Books Cooperative table (January 31–February 3).
- Several of my books will be featured in “A Fair,” an exhibition curated by Travis Shaffer at the University of Kansas Art + Design Gallery, Lawrence, KS (January 22–February 15).
- Stripped will be featured as part of the ABCED project at Gagosian Gallery, 980 Madison, NYC in “Ed Ruscha: Books & Co.” (March 5–April 27).
Progress photo of the Kansas installation by Travis Shaffer.
Please come say hello if you’re at MoMA PS1 for Printed Matter’s NY Art Book Fair this week (Friday through Sunday). I’ll be at the ABC Artists’ Books Cooperative table or floating around all weekend. The full boxed set of Weymouths, 273 Relics for John Cage (new second edition) and Stripped will be for sale at our table, along with lots of beautiful work by our 25 members from Germany, Austria, Netherlands, UK and USA.