Printed Web #1
I’ve moved into my new studio at NEW INC and Counterpractice is real. And it feels different. Overnight, how I work has changed. I’m in a huge studio space filled with creative people and we’re all stretching into new territory. Working here is public and social. The stimulation is infectious. I haven’t felt this motivated in a long while.
And just off of the quiet of Portlander, I’ve landed in a September frenzy. A good frenzy though. Printed Web No. 2 is about to launch and a nice series of talks and exhibitions is coming up. Here’s what’s happening:
- Tonight, It Narratives opens at Franklin Street Works in Stamford, CT. Curated by MoMA fellow Zanna Gilbert and Brian Droitcour, who asked me to present a selection of print-on-demand titles from Library of the Printed Web, including Printed Web #1. Also part of this show: David Horvitz’s call for mail art. I sent over a copy of Portlander from England last week, so I hope it’s there.
- I wrote an essay on the printed web for CODE X, a new book published by Bookroom Press in London (edited by Emmanuelle Waeckerle and Danny Aldred). The book launches at the London Art Book Fair at Whitechapel Gallery (September 26–28). Alessandro Ludovico, Emmanuelle Waeckerle, Delphine Bedel and Colin Sackett will talk about the project on September 27. Wish I could be there.
- I’m launching Printed Web No. 2 at Printed Matter’s NY Art Book Fair at MoMA PS1. There’s an artists’ talk on Sunday, September 28 at 1pm, part of “The Classroom” (organized by David Senior, MoMA Library). More about that soon.
- ABC [Artists’ Books Cooperative] is launching a major new project called ABCEUM. 20 print-on-demand publications by 16 of our artist members. Each book is a room in a museum; together, the collection is a museum exhibition in print. I’m participating with NEW MEDIA (420 Videos). ABCEUM launches at the NYABF, as an installation at the Brighton Photo Biennial in England (October 4–November 2) and at Offprint Paris (November 14–16).
- I’m speaking about my work at the School of the Museum of Fine Arts in Boston on October 8.
- The University of North Carolina at Chapel Hill has invited me to participate in the Hanes Visiting Artist Lecture Series as part of a panel discussion (with Larissa Leclair and Taj Forer) on photobooks and self-publishing on October 30.
- I’ll be at Offprint Paris with Printed Web No. 2 and ABCEUM (November 14–16).
- And finally, I’m offering an all-day Printed Web Workshop at The Type Directors Club on November 21.
The Design Office graciously hosted a Providence, RI launch for Printed Web #1 on March 17. Lots of RISD students and faculty were there and we had an inspiring discussion about the work with Clement Valla and Benjamin Shaykin. These terrific photos are by Sarah Verity.
Printed Matter hosted a NYC launch event for Printed Web #1 last night. Artists Clement Valla, Am Schmidt, Sean Benjamin, Chris Alexander, Penelope Umbrico and Benjamin Shaykin joined me to talk about some of the themes brought up by the project: identity, memory, artist-as-archivist, the collective and web-to-print practice. The discussion and the audience questions were stimulating and I really wish I’d recorded it.
It was a joy for me to see so many familiar faces (as well as new friends) turn up in support and to participate in the conversation. Thank you to everyone who attended.
I was invited to give a few talks in Los Angeles earlier this week (at UCLA and Art Center), while I was there for Printed Matter’s L.A. Art Book Fair. Library of the Printed Web was the attractor, I think, especially at the Graduate Media Design Practice program at Pasadena. But I took the opportunity to present a more general overview of my work, including the larger trajectory from designer (and all of the brand/creative/director/strategist roles that go with it) to artist, teacher, curator and publisher.
While artist and teacher are fairly new roles for me, I feel like I’ve been wrestling with them for some time now, even if abstractly. But it’s the last two concepts—curator and publisher—that are entirely new. Creating Library of the Printed Web exactly one year ago (for the excellent Theorizing the Web conference) introduced me—somewhat unknowingly—to curatorial and publishing situations that I never imagined.
Publishing Printed Web #1 is an experiment. It’s provisional and experimental because I didn’t approach the project like a traditional publisher, or with any real business model (I didn’t “start a publishing company” or small press or anything like that). I formed the project as a way to present new work from artists who interest me (artists who enact a web-to-print practice in some way). I consider the publication to be, primarily, an exhibition in print. Printed Web #1 is “primary information” in the Seth Siegelaub sense (at least, he was the primary inspiration). The issue is not a catalogue—it is not “about” the work—it is the presentation of the art. “You don’t need a gallery to show ideas” (Siegelaub).
The reception at the fair was great. People get it. Visitors to the table were curious, and when I told them that each artist got six pages to do whatever they want, from web-to-print, they wanted to see all of the projects. Most people stood there and flipped through all 64 pages.
I was asked a few times about newsprint. Why use a light, ephemeral kind of printing when presenting ephemeral (web) work in a new context? It’s a good question and it could be argued that the desire for slowness, thingness and permanence would be better served by a more high-end presentation of the project. But I wanted to keep the publication accessible ($12) and stay far away from the “rare,” out-of-print photobook frenzy. For now, newsprint works.
I sold 135 issues of Printed Web #1 at the fair and 50 more are going to Motto in Berlin. And I’ve sold about 50 more in the online shop. If you’d like one and you’re in the NYC area, you can avoid the shipping charge by coming to Printed Matter on March 1 for a launch event. More details about that soon.
Printed Web is an experimental publishing project because my goal (for now, at least) is to be a part of the conversation. To spread the thing around in an interesting way and talk and chew on the issues embedded in this kind of work (circulationism, acceleration, materiality, copyright, a new web-to-print artist’s practice).