And in a few days I go back to the Isle of Portland to present Portlander during the b-side arts festival (September 5–14).
We printed 3,000 copies with Newspaper Club and we’re distributing them at libraries and all of the festival venues. It’s 64 pages and contains countless photographs, artist submissions, text fragments, oral histories and links and connections to everyone I met on Portland in June.
I’m anxious. The last time I saw everyone there, the project was a mystery. It was still open, with all of the potential that anyone could imagine and hope for. Now, the attention will be directed away from me, away from them, onto the printed piece. I’ll be putting my work in their hands (an unplanned side-effect: Portlander is full of images of hands!). That materiality is powerful. We can all point to it and talk about it. It becomes the thing that’s seen, given, received, carried, admired, saved, remembered, forgotten, thrown away. It’s a container for emotion and thought and conversation.
So of course I worry about reactions and thoughts and conversations. How will it be received. A printed publication freezes time and space. There’s something inscrutable there in its ability to show us some things, to present subjective experience and culture, but to deny us others. There’s no way to really capture anything, and yet these projects attempt to do just that. The publication exists somewhere right there in the space between a yearning to understand and the disappointment of never getting there.
And that’s a lesson for me. I was aware of it from the moment I got to Portland. I’ve done a few of these projects. I try to get closer to a place by creating a thing that embodies personal experiences, relationships and community. I embed my self in another territory — in public — and to do it well, I have to sort of give up my own identity (I push it aside to absorb the lives of others). It’s exhausting work, but it works for me. Built into each of these projects is my leaving. I always leave.
But does it work for anyone else? Is it worth the effort to share? This is what I’ll be asking myself in England.
A free, public publication.
Artist Paul Soulellis will be in residence at Portland Tophill Library for the month of June to produce Portland Bill, a print-on-demand, community newsprint publication. Paul will gather material from Portland communities and design a multi-layered, diverse expression of local life and history. Portland Bill is a participatory publication—all material included will be contributed from residents of Portland and freely distributed back to our communities in September 2014.
Creative writing, essays, folklore, photography, drawings, maps, digital art, found material, poetry and recipes are all welcomed, but anything may be contributed to Portland Bill. Every effort will be made to include all submissions. Any resident of Portland may contribute—regardless of age, education or artistic experience.
Your contribution may be submitted in a few different ways —
— by sending digital material directly to email@example.com;
— by attending one of the artist’s meet-ups during the month of June;
— by leaving your submission at Tophill Public Library;
— by leaving your submission in one of the local Portland Bill dropboxes.
Submissions are due by 27 June.
Please consider lending words, pictures, memories and impressions to create a diverse, community-based publication. Each voice included will deepen Portland Bill’s personality and add to this unique portrait of Portland.
Portland Bill will be freely distributed during the b-side multi media arts festival in September 2014.
I developed this collection of photographs earlier this year and struggled with the publication format. The images are interior views from Google Street View and depict the photographer and/or the camera’s reflection in mirror or glass. I ordered print-on-demand books from Blurb in several formats, trying different sizes and papers, but nothing felt right.
Finally, I’m self-publishing the 17 images as Las Meninas, a 32-page newsprint tabloid publication, nesting pages (edition of 50). Printed by Newspaper Club. I’m satisfied with the results. The format seems to fit the material perfectly.
Las Meninas will be available for purchase at Printed Matter’s 2013 NY Art Book Fair at MoMA PS1 (19–22 September). Look for me at the ABC/Library of the Printed Web table.
Digital newsprint (print-on-demand)
Edition of 50
Tabloid (289 mm x 380 mm)
View the entire publication on Flickr.